Erika Lust Cabaret Desire Inhaltsverzeichnis
Cabaret Desire ist ein spanischer Pornofilm der schwedischen Regisseurin Erika Lust. Der Film erschien Erika Lusts Film "Cabaret Desire" aus dem Jahr gehört zu den Debuts von Erikas Filmen. Inspiriert von dem Poetischen Bordell in Barcelona begibt sich. Cabaret Desire ist der bisher größte und aufwändigste Film von Erika Lust. Mit Hilfe von hervorragenden Schauspielern gelingt es ihr, eine knisternde und. Cabaret Desire ist ein spanischer Pornofilm der schwedischen Regisseurin Erika Lust. Der Film erschien Inhaltsverzeichnis. 1 Handlung; 2 Hintergrund. FSK: 18; Bewertung: 4,6; Regisseur: Erika Lust; Stars: Toni Fontana, Sofia Prada, Saskia Condal, Mario Mentrup. Es gibt einen magischen, unkonventionellen.
Cabaret Desire is Erika Lust's most personal and ambitious feature film, released in Enter the Barcelona 'Poetry Brothel': a magical. Cabaret Desire. Erika Lust. Film (DVD). Zustand: Gebraucht - Sehr gut, Zustand: Gebraucht - Gut. sofort lieferbar. % SALE %. Neu 18,84 € Sie sparen 7,24 € ( Der neue Film von Erika Lust, der weltweit erfolgreichsten Regisseurin von frauenfreundlichen und paartauglichen erotischen Spielfilmen. Zum ersten Mal gelingt.
First, Annabelle finds out about her friend Liandra's masculine side and Liandra seduces her. Then, Anabelle gets turned on by a piece of clothing.
Finally, Liandra hooks up with her friend's guy friend. We all know what sex looks like. Many movies have tried to capture the magic, but most can only bring home the tricks.
This movie allows you to participate where others leave you the In the solitude of a secluded hillside mansion, a beautiful photographer retreats to re-evaluate old relationships and career.
Instead, she will soon discover that forbidden taboos can swiftly turn into obsession. Two young women are best friends, but they go their separate ways.
After Anna arrives the friendship is renewed and the young women soon take things to the next level. When Canadian exchange student, Nina and her boyfriend are caught in a compromising position by her host family.
Little does she know that the older couple may want to join in on the fun. Hoping to inject creativity into their onstage performance, a reserved actress and her co-star consider improvising their love scene.
In a post-apocalyptic plague-ridden world, a man and woman face unimaginable horrors when he suddenly becomes infected, and the only possible cure slowly drives him mad.
Marie Silva and Jack Bravo are a married couple who also happen to make porn films for a living. This documentary examines what a marriage involving a couple whose jobs it is to have sex Felix, a software engineer plans to spend the weekend at a music festival in Amsterdam with his buddy Kai.
Unfortunately his girlfriend Emmi, a French teacher ought to stay home, in a small LIFE: After finishing the day in the restaurant, a chef and a waitress have an incredible encounter to celebrate his birthday.
LOVE: A forty-something executive seduces a young man in a In a magical, unconventional place, the "Poetry Brothel" people met to read erotic stories to night and have them to read to them.
Four different stories are implemented in short film sequences. Her pretentious project "Cabaret Desire" fails on all counts: zero for eroticism, zero for explicitness, zero for casting, zero for story and zero for conduct.
Okay, I was flippant at the end there, but Jean Vigo she ain't - no visual poetry here. Even the premise of the film, a "decadent" cabaret where untalented performers sing or dance but which is built around young poets giving intimate readings to one or two customers at a time illustrated on screen by pantomime sex vignettes is a shuck.
An informative short film on the DVD titled "The Poetry Brothel" by Patrick Catuz interviews practitioners at Barcelona and NYC "brothels" emulating Storyville or Parisian atmosphere but where folks go off into a corner or secluded nook to listen to one-on-one poetry readings and presumably have sex.
But what really killed off my nascent interest in this feature was Erika's connection with the cult of amateurism. Along with Max Hardcore's introduction of gonzo into porn, the predilection for watching amateurs rather than pro actors is the most detrimental change in both Adult Entertainment and even mainstream TV reality-TV in recent decades.
Erika uses untalented performers, as well as those poets whose way with words escapes me most of the gibberish passed off as poetry here sounds more like the dubbing script for turning a Spanish or Italian movie into a junker for American audiences than original writing.
Result: who wants to look at or listen to this set of losers? The four vignettes are introduced by a male or female poet who sidles up to a client or couple and receives a poker chip as payment in advance like a hooker -the chip bought expensively upon entering the club being a ritual associated with the real-life poetry brothels.
They narrate the pantomimes, tall tales that really aren't interesting. Punch line of this segment is predictable and corny enough to make Rod Serling groan.
Worst vignette is the finale, which departs somewhat from the previous structure in that the blonde poet merely starts the tale and then the two protagonists in the pantomime have their "voices" presented in clashing views of events, basically a lame reunion a year after a torrid but fleeting affair, combining sentimentality and cynicism.
As in her short films, Lust is all about the tease, but I found her approach to Adult XXX tease to be annoying, not stimulating.
The payoff is explicit sex, but shot largely from soft-core angles so that the viewer is jerked around rather than promoting any jerking off.
Sex scenes are relatively brief by modern standards and shot with many hokey camera placements and non- stop editing, both of which are techniques long rejected by porn fans in favor of the current more realistic, unedited half-hour of continuous sex approach.
One of the four vignettes played just like a lame late-night pay- cable Skinemax or Showtime boredom special.
Erika, for obvious p. Film ends in a laughably bad performance of an original song titled "Sperm", with poor lip-sync of the band Cava Cabaret and its jazz singer, an insipid attempt at double entendres.
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